蕾雅赛杜把中年女性的迷茫、空虚和敏感演绎得丝丝入扣。除此外，编剧是个脑残，导演是个挫文青。
首先，这片子我是拿来催眠的，为了凌晨的球赛早睡。其次，一开始就嗅到了导演的讽刺意味，一个做作的女性名记者，在总统新闻发布会上自顾自美丽、各种小动作和杂音。 （其次部分）导演的极其蹩脚。
关于蕾雅杜塞，007之《无暇赴死》那几幕就让我觉得这是布里吉琼斯的缩小版。本片前半段给我的感觉就是这种负面印象，直到杜阿姨在她复杂的脸部表情把诸多痛苦情绪表现得淋漓尽致。
片中的象征主义太明显

Towards the end of the film, there is an impressive (and strange) scene in which a young man suddenly destroys a city bike with extreme violence. It reminded me of a thought I had last year about such vandalism (people throwing city bikes and e-scooters in the river): “I wondered what could have possibly ignited this sudden impulse of vandalism. Perhaps it has to do with the deep anguish growing unconsciously in us from our intensified relations to smart connected objects

《法兰西》Vandalism
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